A Riveting Local Production of Deathtrap with Twists, Turns, and Theater

When it comes to thrillers that captivate an audience from curtain rise to final bow, few plays have stood the test of time like Ira Levin’s Deathtrap—especially when brought to life by such a talented cast of local actors. Great choice by the Ocean County College Repertory Theater Company (OCCRTC).

First staged on Broadway in 1978, Deathtrap is a masterful blend of suspense, dark humor, and psychological tension. The story revolves around a once-successful playwright, Sidney Bruhl, who sees an opportunity for a comeback when he receives a brilliant script from one of his students. But things quickly spiral into a deadly game of deception and manipulation.

Brendan Keffner, Keith Miller, and Dana Russack captivated in Deathtrap—with Keffner delivering a compelling performance as Sidney Bruhl, and newcomers Miller and Russack making impressive OCCRTC debuts as Clifford and Myra, adding depth and dynamic new talent to the Company’s legacy. Image credit: John Posada

We had the pleasure of seeing Deathtrap just yesterday at the college's Black Box Theater, performed by the talented cast of the OCCRTC—and what a treat it was! From start to finish, the show was a gripping, sharply acted experience filled with suspense, humor, and a wonderful touch of theatrical nostalgia.

Equally impressive was the production's use of props, which seamlessly complemented the actors' performances. The corded rotary phone, for example, was not just a period detail but added a dramatic touch to the actors’ timing and the pace of the play. The elegant decanters, crystal glassware, and antique furnishings helped bring the characters’ world to life, adding depth and richness to their performances. With every element working together—from the actors’ sharp timing to the immersive set—Deathtrap delivered a theatrical experience that was both entertaining and beautifully crafted.

A Stellar Cast with Standout Performances

The OCC Repertory Theater Company delivered a standout performance across the board, with each actor bringing sharp timing, depth, and charisma to their roles. Brendan Keffner took on the lead role of Sidney Bruhl with compelling presence, embodying both the character’s charm and sinister manipulativeness. Keith Miller portrayed Clifford Anderson with a sharp, calculating edge, while Dana Russack brought warmth and subtle vulnerability to Myra Bruhl. Annette Curran delivered a standout performance as the eccentric psychic Helga Ten Dorp, showcasing her sharp comedic timing and vibrant stage presence. James Fogerty rounded out the main cast with a grounded and solid portrayal of Porter Milgrim, offering balance and nuance to the ensemble. Supporting the main cast were talented ensemble members Samantha Acquaviva, Kyle Bodie, and Angel Berrios, who all contributed to the show’s overall success.

Brendan Keffner, recently seen as Mozart in Amadeus, brings impressive range to his role in Deathtrap, while Dana Russack makes a standout OCC Repertory Theater Company debut. Image credit: John Posada

This production also marked the OCC Repertory Theater Company debut of Dana Russack and Keith Miller, and both were outstanding. Dana brought warmth and subtle vulnerability to Myra, while Keith delivered a smart and sinister edge as Clifford. It’s great to see new talent stepping onto the OCCRTC stage—and both actors are excellent additions to the Company’s growing legacy.

James Fogerty, who enjoys portraying a wide range of diverse characters, contributed a solid and grounded performance as Porter Milgrim. His presence brought balance and nuance to the cast, nicely rounding out the ensemble with quiet authority and a natural stage presence.

And while the entire cast was strong, Annette Curran was a true standout as the eccentric psychic Helga Ten Dorp. With sharp comedic timing and a vibrant stage presence, she brought levity and intrigue to each of her scenes.

James Fogerty as Porter Milgrim and Annette Curran as Helga Ten Dorp brought balance and brilliance to the stage—his grounded presence anchoring the ensemble, her vibrant performance lighting up every scene. Image credit: John Posada

Every Twist Hits Its Mark

The production was guided with precision and insight by Cat Parker, whose direction brought clarity to the play’s many layers of deceit and surprise. Under her thoughtful staging, each twist landed effectively, each pause carried weight, and the pacing kept the audience on edge.

In addition to Cat Parker’s direction, the production’s strong visual and technical identity was brought to life by George Allison, Doug Cox, Jamie Kasprovitz, and Bridget Magnusson. Their collaboration resulted in a show that looked and felt truly professional. The craftsmanship of the set, sound, and lighting came together seamlessly, creating an immersive world where every detail mattered.

A Stage for Students, Artists, and the Community

Under the leadership of Performing Arts Program Chair Paul Chalakani, the mission of the OCC/REP is to create meaningful opportunities for both college students and the broader community to engage in rich and diverse theatrical experiences. The Company’s goal is to entertain, educate, and inspire, enhancing the cultural life of Ocean County College and its surrounding communities.

OCC/REP provides a collaborative, encouraging environment where students can apply their classroom learning in real-world theatrical productions. With a well-balanced season of plays and musicals—ranging from classical to contemporary—the Company celebrates the power of theatre to illuminate and reflect the human experience.

The OCC Repertory Theatre Company is funded, in part, by the Ocean County College Foundation.

Local Staging Proves Why Deathtrap Is Still a Masterpiece

In today’s era of true crime series and prestige murder mysteries, Deathtrap remains a razor-sharp commentary on ambition, deception, and the fine art of storytelling. It's not just about murder—it’s about how stories are told, manipulated, and consumed. Levin’s play continues to captivate because it doesn’t just shock—it invites reflection and rewards attention.

Thanks to the OCC Repertory Theater Company’s stylish, smart, and faithful production—led by Cat Parker’s deft direction, enhanced by a stunning set, and performed by a superb cast—Deathtrap felt as fresh and riveting as ever. If you're lucky enough to catch one of their shows, don’t miss it—their commitment to quality storytelling is no mystery at all.

Follow The OCC Repertory Theater Company on social media and visit their website for upcoming events.

Until next time, peace.